The Observer
by Victoria Mason 2021
Cast bronze, petrified wood, marble.
There’s a memorial sculpture at a large intersection in Kew, Melbourne
which is captivating for a few reasons. One is the unlikely assemblage
of rocks with a bronze bust at the summit and the other is the date
that’s meant to tell you the person’s life span which is left open-ended
making Raoul Wallenberg - a Swedish humanitarian who rescued thousands of Jews in Hungary during World War II - 109 years old.
Its casual assemblage and unfinished timeline is of course all part of
its brilliance, Karl Duldig was an incredible sculptor.
In a similar way, ‘The Observer’ is an assemblage of rocks and bronze
strata, with the head of a regal black crow. Its stone wingspan reaches wide, her presence strong and imposing.
Long walks have brought more birds into my life recently. I’ll stop to
watch them and then realise that I’m being watched as well - we’re both
just staring, thinking we’re the Observer. The assemblage appears
precarious, rocks balanced on one another as a marker of time. When life becomes busy again, will I cease to stop and enjoy these moments or is
this a lovely part of the forced slow-down?
The incomplete date on Raoul Wallenberg's memorial to me implies that he's around, watching events unfold. If he was still fit and alive, who
would he be helping now?
by Victoria Mason 2021
Cast bronze, petrified wood, marble.

by Victoria Mason 2021
Cast bronze, petrified wood, marble.

Raoul Wallenberg memorial sculpture 1985
by Karl Duldig
Photograph by Graeme Saunders

